Molly Dinton Essay Example for Free

Molly Dinton Essay I dont know where documentary is going, but at the moment it is fast becoming a soap opera in order to keep its place in the schedules Molly Dinton. Dinton believes that the documentary genre is changing in order to survive. This evolution of the genre could be justified, and enables the diverse genre to still be able to attain fixtures on the British television broadcasting stations. The statement of the documentary fast becoming a soap opera, can to some extent be supported. Currently on British television, there has been a swarm of reality TV programmes and Docu- soaps, which can be seen as a polluted hybrid of the documentary genre. These programmes are noted as successful in attracting an audience, therefore, the TV institutions are more likely to exploit these wining formulas of the genre and schedule the newer, more popular American format of documentary rather than the traditional documentary formula that aims to construct a social criticism and catalyse change, which often has a stigma of smelling of dust and boredom (Alberto Cavalcanti). Institutions are able to have a minimal risk of financial failure with docu- soaps and reality TV programmes, because as well having a high rating of audience consumption, the programmes are financially very cheap to produce. This is because the hybrid forms do not generally have professional actors but consist of real people. Also the programmes are often filmed in cheap locations over a relatively short period of time compared with Nick Broomfields Aileen- The Life and Death of a Serial Killer. In this recent documentary (2003) Broomfield worked in America for multiple months, which would have been extremely costly. Paul Hanmann, head of BBC Documentary features, says that a reality programme is three times cheaper as comparable light entertainment. Or take for example, Martin Bashirs The Michael Jackson Story, where by Bashir followed Michael Jackson from country to country over a period of a year, making a very costly production for ITV. In this investigative documentary, it too can also be noted as conforming to the new soap opera style of documentary, as Bashir chose to present to the nation the version that sensationalised the Jackson story in a negative light creating a spin off of conversation for a duration after. Bashir, like a soap opera director, chose to present the narrative version of the documentary that would create the most dramatic effect or shock for the audience. TV executives are more keen on scheduling the popular forms of the documentary genre and make the values of the programme centre on entertainment, as they feel entertainment is more appealing to the audience than a documentary that exits on a moral and ethical dimension. The intertextuality of the Docu- Soaps such as Vet School, The Cruise and Driving school, attract huge viewing ratings. For example Driving school had a 12. 5 million audience. The Docu- soap resembles the conventional fly on the wall antecedents, but like a Soap Opera, the genre prioritises audience entertainment over social commentary, and focuses on characters and their personalities, rather than on their social roles or professions. Characters are picked for their personalities, to ensure interesting viewing and strike a parallel with the Soap Operas, in that the characters are known on a first name basis to build up a relationship between audience and screen characters. Likewise, the episodes are strongly based on the drive of the narrative structure, to make more entertaining, simplistic and more story- like for the audience to follow and enjoy. Yet another demonstration of documentaries becoming a soap opera is with channel 4s Thatll teach them. In this series, teenagers of today were seemingly sent back in time to be educated in the 1950s. The programme is then followed up, several months later with, That taught em, making the series like a soap opera because the channel are adding to the original narrative, in order to get a greater knowledge of the teenagers. Reality TV combines the commercial success of tabloid content with a public service mode of address. The genre includes The Salon, Big Brother, Police Camera Action and Wife Swap, which are all hugely popular. Big Brother had a staggering 45, 000 people audition to be on the programme. These programmes are essentially very alike in comparison to Soap Operas. Often in reality TV, contrasting personalities are deliberately selected or an arisen conflict sensationalised; also many of the programmes are edited in order to capture comedy moments. Moreover in the Docu- Soap Driving School, there is evidence to suggest that many of the sequences, or body language/ facial expressions in the programme were faked in order to create further dramatic effect. Through sensationalising episodes, these programmes are able to compete with the story lines of many soaps, and attract viewers who enjoy much of the dramatisation that occurs in the soap operas. It also serves to entertain the audience. Reality TV is very much like many soaps. This is achieved by using editing. The Directors are able to create a persona or character of the participants, that the audience will either love or loathe, through selecting which footage to air and which to discard. With CCTV footage in Police Camera Action and 24/7 actuality footage of the constructed documentary, Big Brother, the audience is able to involve themselves in dramatic irony and acquire a greater knowledge of the characters and their situations, like we are also able to do through watching soaps. As McCann states it often turns us into Peeping Toms, which obviously appeals to a sector of society. There is however, evidence to suggest that many documentaries, which adopt the objective of catalysing change in the law or the dominant ideology and use film verite, are also still scheduled on British TV. For example, during November of each year, war documentaries will be broadcasted for Remembrance Day, and in the month of August, documentaries on Princess Diana and her death will be documented, to heighten the audiences level of awareness surrounding her suspicious death. These documentaries try to offer several new pieces of information discovered that are based on fact and not fiction. Experts, eyewitnesses, and official civil servants provide the evidence for the programme, giving it credibility. The documentary serves to criticise, the way in which the investigation was run, but also to cause the audience to change their previously held opinion on the subject, and to take on and believe the message given by the text. Occasionally other documentaries by famous documentarians are scheduled, such as Nick Broomfields Biggie and Tupac, (channel 4 2003), where Broomfield exposes the maze of obstacles and corruption complicating the investigation of the unsolved murders of the rap stars. Also, it is evident that many nature documentaries are shown on channel five, but not at peak times, which docu- soaps and reality TV are aired. In addition to this there is evidence to suggest that not all documentaries have to become soap operas in order to keep its place in the soap operas. This point can be clearly illustrated with the co- production by the BBC and Discovery Channel in their creation of Walking with Dinosaurs. The documentary achieved huge success and was stated as being the biggest thing on TV in 160 million years. With the aid of computer graphics, the programme portrayed to the audience at peak times of scheduling, a factual account of how dinosaurs lived, adapted into the different time periods, and eventually became extinct. There are also niche channels on Digital or Sky channels, such as Discovery, History, and the Learning channel, all of which schedule films solely from the documentary genre. These channels have high ratings and status, but are not available to everyone. In conclusion, I feel that Molly Dinton was justified in stating that the documentary is fast becoming a soap opera in order to keep its place in the schedules. This is mainly because the mass audience prefer docu- soaps and reality TV, which are closely related to soap operas. This is because these factions of the documentary genre entertain, and cause diversion and escapism for the audience, who are easily able to relax in their leisure time and watch the light- entertainment programmes. They are not presented with a programme that requires the mind to work too hard after a draining day. The broadcasting institutions generally broadcast, what is demanded from the public and what is financially better for their business, making the way clear for further reality shows that resemble the soaps to be produced. Perhaps the film verite documentaries are not as popular as the hybrid genres because in general they require a higher intellect/ socio- economic group to follow the programme or be interested in the issues investigated. This form of documentary perhaps has outlived its usefulness and no longer has a very clear significance. The vast docu- soaps and reality television programmes are scheduled at peak times, because they appeal to a wider audience where as the occasional documentary is scheduled mainly in the late eve. Therefore it is true that documentaries are fast becoming soap operas in order to survive.

The Lovely Bones Book vs Movie

The Lovely Bones Book vs Movie Alice Sebolds bestseller The Lovely Bones is another book that you dont quite know what to expect when you pick it up, but when you read it you get it very quickly. It affects you emotionally as a reader and makes it interesting. Mass market book publishing is, like movies, a calculated and repetitive business. Sebold came with something really different. She was lucky to get her book published, and when she did, no one expected it to sell over 2 million copies or be on the New York Times bestseller list for over a year (Bradshaw). This bestselling book became the basis for the film, taking on the same name, and directed by Peter Jackson; who also is known for directing Heavenly Creatures, The Lord of the Rings, The Lord of the Rings the Two Towers, and The Lord of The Rings the Return of the Ring (York). Having read The Lovely Bones and then watching the film it became clear that not only was there an obvious difference between the movie and book cover, but there were many differenc es and changes that were made on behalf of the film. The Lovely Bones is set in the suburbs of Philadelphia in the early seventies. Its about the Salmon Family; husband, wife, three children and the tragedy that occurs within the family. They were in the prime of their lives, the next thing you know the police have arrived and nobody really knows what happened to the main character, Susie Salmon, a young girl who is murdered in a corn field just beyond the back of her house. In the book Susie is going through her process of going up into Heaven and looking down on her family struggling to deal with the death of their daughter and sister. A major aspect of the book is how she directs her family towards her killer in some sort of retribution (Sebold). As the book was translated to film the differences that are often seen in book to film translations can be more evident as it goes along. As the process of translating The Lovely Bones to film was approached it became the ultimate puzzle for screen writers according to the director Peter Jackson. (Filming) Getting films out to the public for directors or the marketing team of any movie has become easier and easier with Amazon, YouTube, eBay, and personal websites, filmmakers have direct access to the public (Garon xix). Jackson seemed to hope for a similar outcome from the movie as the book. If he had stayed truer to the book, he may have gotten what he wanted. In an attempt to produce from within the pages of the novel, the film, and book, take place during the nineteen seventies and is narrated from the perspective of a fourteen year old girl named Susie Salmon. She is a passionate photographer, has the love and support of her family, and is even getting looks from the boy she has a crush on in school. Life is all good. And then she is brutally murdered by her creepy neighbor George Harvey. (The Lovely Bones) It begins with the same line from the first page of the book: My name is Salmon, like the fish, first name Susie (Sebold 6). Even though the book and film begin the same, the story in the film and the story in the book are very, very different. In the book the actual process and the crisis of the death in the beginning of the book is covered in the first chapter. This first chapter covers forty five to fifty minutes of the film, which is most of the movie. Susie Salmon the lead in the movie, played by Saoirse Ronan, and the main character of the book is portrayed amazingly. She really does capture the tone and the innocence along with the development away from the innocence of the character of Susie in the original text. Mark Walberg plays the father and is a massive character in the book. The best casting to the book is Susan Sarandon, as the Grandmother, even though physically they have a completely different description of the Grandmother in the book (USA). However, translation to film does not detail you the torment that the family goes through chapter after chapter. For example, the destruction of the family unit, the extended leave of the mother, sleepless nights of the sister and obsessive focus on finding Susie and her killer. There is no depiction in the film of the horrific nature of the abduction, murder, or more specifically the graphic rape and dismemberment of Susie. The movie is quite sugar coated compared to the book. It almost appears that the screenwriters for this movie pulled an old teenage trick of reading the first chapter and then skipping to the last. (York) Many differences continue to unfold as the movie shows Susie feeling life fading away from her as she grabs onto the top of a flower, forcing herself into the in-between. There, she is confused and alone until she meets Holly, who helps her navigate her new world. Its just the two of them in utopia, a perfect world of their own making, at first. As it plays out Susie and Holly only exist with a growing number of girls that Harvey has killed. Jackson creates a visual basis for the in-between that is almost like a dream. Creative license took shape when the director places visions of ghostly Susie entering the realm of the real world to inspire changes in events. (The Lovely Bones) Among one of the larger differences in the film to book translation, which wasnt a problem until the viewing of the film, was it became unclear in the book what kind of state or status Susie was in when she died; rather she was in a kind of purgatory or they call it the in-between in both the book and film. It was made clearer in the movie that she was going on a specific journey, and they actually created that world very visually, which was very good. The only issue with these visuals was as a reader you have your own images in your head that were previously described in the book. Visually the film is spectacular, but for a reader there are no huge bottles with ships inside and visions of her in the eyes of her family. These events just dont exist in the text. Contrary to the production, book Susie puts her dismembered body back together and meets Franny, her intake specialist, who helps her navigate this new world. Susie refuses to go to heaven until she can reach her family and help catch her killer (Sebold 8). Only then does she meet Holly, her roommate (Sebold 17). Susie lives in her vision, with people everywhere throwing javelins and wandering around in their own versions in the distance, similar to the real world. She creates cool swing sets and a duplex that she always wanted and shares it with her new friend Holly. Susies interpretation of heaven is populated with real men and women, of all ages, from all background, who died and now resides in overlapping worlds (Sebold 19). Because this movie is based off a three hundred page book it feels like it moves too fast missing key components in the timeline. Several minutes into the film George Harvey lures her to his hidden den in a field, sparking excitement and interest in Susie. Harvey tries to hide his deed and find other victims as her family tries to deal with the tragedy as well as trying to find out just who is responsible for her murder (Filming). It then becomes confusing for readers when the movie cuts to a point where Susie appears to escape from the underground lair in the corn field and then is running through the streets. Its not immediately apparent that she is dead or how she died. This ghostly appearance does not occur and the death scene is clearer in the text. The book is detailed and sharp which leads to the confusion of the timeline within the movie. Timelines within the film get more blurred as we read further into the novel. It graphically describes the rape followed by him murdering her with a shaving razor (Sebold 12). Then, he dismembers her body, putting her remains in a safe that he dumps in a sinkhole (Sebold 53). This timeline is skipped in the film as they focus more on Jack, Susies father, and his search for a killer. He is obsessively seen collecting personal files and digging up tax records on a number of shady men, every man he can think of (The Lovely Bones), although, Mr. Harvey is the first, and only, suspect of Jack in the book. He knows it and feels it after helping Mr. Harvey with a project in his backyard, bringing about another difference, a ceremonial tent in the book and a duck blind in the movie. However, this occurs two years later in the movie. Its within the first month in the book. It takes eleven months before the police even turn up Susies hand-knit hat. Within the book Susies elbow turns up three d ays later, the hat within weeks. The film skips or twists more and more detail and leaves you expecting and waiting for them to unfold but, some never come and others dont come until almost the end, and then it is vague and contained in sudden flashbacks with no explanation. (Sebold 55) (The Lovely Bones) In terms of the plot line the film attempts to get it, though it does not go into the depth that they do in the book. Jackson takes his time in carefully setting up the plot just enough so that we have a good hold on the world of the story the entire time (USA). The time period is reflected well and the main character is likeable and someone who we can sympathize with easily, but not because she is a teenage girl that dies. Her personality and narrations are what do it instead. The film moves back and forth between what the book and movie call the in-between or afterlife and the real world and comes across in the movie very visually (Visual). The visuals are just stunning and there is a unique feel about them as though you are in a dream while they play in front of you. The structuring of this movie is also kind of weird; thankfully with so many other differences this didnt make the movie so confusing as to lose the audience completely (Filming). In film it diverts back and forth to Susie focusing on having her first kiss with Ray, the visually extravagant in-between, and warning her family; whereas the book, although narrated by Susie, explores so many other characters and life experiences. In contrast to the movie, the book is more of a coming of age story about a girl who will never get the chance to grow up. Susie can only grow spiritually by watching her family and friends as they each reach milestones, leave for college, get married and have kids of their own. For book readers shes already had her first kiss and after watching her sister and Samuel make love she longs to do the same with Ray, the boy who was going to go out with her, her crush (Sebold 237). Susie later possesses Ruth, her former classmate and friend. Ruth, who has a spiritual connection with Susie, is overwhelmed by the feeling of her presence. Susie then enters Ruths body and makes love to Ray, which is again graphically described in text (Sebold 300). The movie focus again takes away from the book journey eliminating this sexual growth aspect to the teenage girl. Like many adaptations found with book to film projects; you do lose a vast number of really important events. Such that, the scenes where we follow Harvey are well thought out in just how they show his life and his way of thinking in the film very vaguely. His apparent odd psychological state of mind, expressed with his need for an alarm to prompt him to open his window shades, does not translate as well in the movie (The Lovely Bones). His odd psychological state and inability to follow social norms are described in detail within the chapters as he devices ways to appear normal to the outside world (Sebold 130). In the book you get more in depth descriptions which develops the characters of not just Harvey and Susie but, her sister, her father and, especially, her mother. You learn a lot about her mother which is important however, in the film you learn very little. It is played out in the text that Abigail, Susies mother, never wanted children, withdraws from her family and has an affair with police detective Len Fenerman, the investigator to Susies case (Sebold 196). You also dont learn in the movie that the mother abandoned the father, sister and brother. You see her in the film leave with one suitcase in a cab as though she is taking a vacation or just a getaway to clear her head. However, in the book narrations she abruptly leaves and takes a job at a winery in California and attends College. Abigail leaves and creates a life for herself with her boyfriend, Samuel Heckler, who she becomes engaged to after finishing college. Only after hearing that Jack has had a heart attack does she return eight years later (Sebold 220). This huge gap in time and events are not portrayed in the movie. The relationship between Abigail and her children is then laid out in detail as their son Buckley expresses bitterness for her abandoning the family for most of his childhood (Sebold 264). The filmmakers cut this out completely never even giving a hint that this fracture happened within the family. She is nearly ignored in the movie by giving us just small glimpses of an upset and lost mom, until Jack is nearly beaten to death and then appears again creating an image that she was there the whole time, perhaps distant in her mourning (The Lovely Bones). This information could have made the film come to life as more realistic, instead it is projected on the screen that the family also lives in their own utopia of sorts. Both the book and film end with a similar event. Mr. Harvey, her rapist, her murderer, and the evil man that exists in the world is killed in the book when he is attempting to violate a young girl and an ice sickle falls from a tree hitting his shoulder. As it hits him he is put off balance and falls into a deep ravine. He lies there, being buried by the cold snow, not to be found for weeks (Sebold 327). It is similar in the movie; he is also hit by an ice cycle and falls down a large ravine then abruptly ends. You have an idea that he is dead from the graphic fall, but still no closure, it is left open ended. (New Zealand). When watching the movie you find that it seems to intertwine three story lines. First, is that of Susie in the in-between, the second deals with her mourning family and the third, interestingly, deals with her killer. Although this movie has a serial killer on the loose and its share of cops it is in no way like a crime or revenge story. Instead this is a movie about family bonds and about a loss. Its about the presence people can have in our lives even when they are gone; its about understanding what closure really means, and differs from the novel. The Lovely Bones is a very compassionate story the way it is told from the girls point of view and the innocence that she has in the way she looks at the world she has left behind. Alice Sebold gives us a look at how the Salmon Family is forever changed as a result of Susies murder. Susie watches as her parents drift apart and her siblings and friends grow up and have experiences Susie can only witness. Through the experiences of the Salmon Family in The Lovely Bones, readers can examine their own feelings and reactions to loss and mourning. Susie is on this incredible adventure into the world of the afterlife, described as the in-between. The rules of our world no longer apply. She has to come to terms with where she is and has to somehow influence events back down on earth that enable her killer to be caught. It is an incredibly layered story getting its title from a section at the end of the book (Mehegan). These were the lovely bones that had grown around my absence: the connections-sometimes tenuous, sometimes made at great cost, but often magnificent-that happened after I was gone. And I began to see things in a way that let me hold the world without me in it. The events my death brought were primarily that the bones of a body that would become whole at some unpredictable time in the future. The price of what I came to see as this miraculous lifeless body had been my life (Sebold 320). Throughout this discussion you can see that as the book was translated to film, by director Peter Jackson, the differences that are often seen in book to film translations are more evident and clear as it goes along. Due to time constraints and interpretation, we find that a majority of book to film projects do not hold faithfulness to the authors. It has also been found that many books to film correlations create added characters or eliminate characters for theatrical benefit (Cohen 1). It may even be better to watch the film and then read the book. This might prevent you from making judgments about this film on the basis of the book such as, visual effects, timeline, and content, due to it being three hundred pages turned into two hours, which in text form are actually only about one hundred pages. Predictably, Peter Jacksons interpretation of The Lovely Bones is not equal to the interpretation of the author Alice Sebold. Clearly you can see that this story has been interpreted in very different ways, both in film and in text. Differences within the movie create a watered down and non-confrontational approach to the real subject matter of the novel. Therefore, if you are looking to research any book by watching its movie remember you are probably going to be missing about two thirds of the book, if not more. As exampled here, with The Lovely Bones, the differences between book and film translations can be extreme causing confusion and distorted reality of the content and subject matter of the authors original concepts. Work Cited Bradshaw, Peter. Guardian. 2002. 14 Nov. 2012 http://books.guardian.co.uk/film/2010/feb/18/the-lovely-bones-review. Cohen, Steven and Hark, Ina Rae. The Road Movie Book. Routledge. New York, NY. 1997. Filming the Lovely Bones (Special Features). DW Studios LLC. Dreamworks Pictures. BLU-RAY. 2009 Garon, Jon. The Independent Filmmakers Law and Business Guide: Financing, Shooting, and Distributing Independent and Digital Films. Chicago Review Press. Chicago, IL- 2nd Edition. 2009. Mehegan, David. Sebold, Alice. The Lovely Bones. Words to Live by (Supplementary interview). Little, Brown and Co. New York, NY. 2002. New Zealand Principal Photography (Special Features). DW Studios LLC. Dreamworks Pictures. BLU-RAY. 2009 Sebold, Alice. The Lovely Bones. Little, Brown and Co. New York, NY. 2002. Sebold, Alive. The Lovely Bones. The Oddity of Suburbia. (Supplementary essay). Little, Brown and Co. New York, NY. 2002. The Lovely Bones-Free Online Study Guide. The Best Notes. 2008. 14 Nov. 2012. http://thebestnotes.com/booknotes/lovely_bones_sebold. The Lovely Bones. Peter Jackson. DW Studios LLC. Dreamworks Pictures. BLU-RAY. 2009. USA Principal Photography (Special Features). DW Studios LLC. Dreamworks Pictures. BLU-RAY. 2009. Visual Effects (Special Features). DW Studios LLC. Dreamworks Pictures. BLU-RAY. 2009. York, April. Book vs. Film: The Lovely Bones. 2010. 14 Nov. 2012. http://culturemagazine.ca/cinema/book_vs_film_the_lovely_bones.html.

Analysis of Cyrano de Bergerac as a Romantic Work Essay examples -- Cy

Analysis of Cyrano de Bergerac as a Romantic Work  Ã‚   Appeal to emotions, individualism, and intellectual achievement were three important elements of Romanticism. This essay will explore the degree to which Cyrano de Bergerac exemplifies these elements of Romanticism. First and foremost is the appeal to emotions. All of the other facets of romanticism can be related to the emotional appeal in Cyrano de Bergerac. Because strong emotional appeal is perhaps the most important method used by the author to create identity with the reader, especially in romantic works, the actions which elicit the emotional responses must, then, show a great deal about the character. The character's motives and philosophies can be determined through his actions. Because Cyrano de Bergerac was written in the romantic style, certain intellectual and emotional principles exist throughout the play, which will now be observed in depth. The overall feeling which one procures after reading Cyrano de Bergerac is a kind of nostalgic sadness. Because the first half of the play is very up-beat, very elated in style, the rather grim ending is that much more bitter. As the play opens, there is much merrymaking and festivity in preparation for the play. The sheer happiness of all of the colorful characters is transferred to the reader almost instantly. The mood is portrayed very well as being light and bubbly, an overall good feeling. The next major shift comes when Cyrano enters and, after riding himself of Montfleury, puts on the spectacle wherein he demonstrates not only his impeccable verbal dexterity, but also his fencing abilities - and both at the same time. This whole scene causes a strong reaction from the audience, and in turn, the re... ...ls of the romantic revolution, the nobility of spirit and individuality must be preserved, and intellect, whether you had it or not, was part of this, because part of being individual was coming up with some of your own ideas, possessing uniqueness of thought. Once again, this evokes a certain emotional response from the person who interprets this pseudo intellectualism, and the feeling the reader has about it is an integral part in the establishment of an identity with the characters. In conclusion, it has been shown that the primary vehicle for the expression of an authors ideas and concepts about a character is the emotional response which is depicted by the characters actions. In romantic works, because of the importance that emotion played in the romantic revolution, the appeal to emotions is the distinct and definitive factor of a good romantic play.    Analysis of Cyrano de Bergerac as a Romantic Work Essay examples -- Cy Analysis of Cyrano de Bergerac as a Romantic Work  Ã‚   Appeal to emotions, individualism, and intellectual achievement were three important elements of Romanticism. This essay will explore the degree to which Cyrano de Bergerac exemplifies these elements of Romanticism. First and foremost is the appeal to emotions. All of the other facets of romanticism can be related to the emotional appeal in Cyrano de Bergerac. Because strong emotional appeal is perhaps the most important method used by the author to create identity with the reader, especially in romantic works, the actions which elicit the emotional responses must, then, show a great deal about the character. The character's motives and philosophies can be determined through his actions. Because Cyrano de Bergerac was written in the romantic style, certain intellectual and emotional principles exist throughout the play, which will now be observed in depth. The overall feeling which one procures after reading Cyrano de Bergerac is a kind of nostalgic sadness. Because the first half of the play is very up-beat, very elated in style, the rather grim ending is that much more bitter. As the play opens, there is much merrymaking and festivity in preparation for the play. The sheer happiness of all of the colorful characters is transferred to the reader almost instantly. The mood is portrayed very well as being light and bubbly, an overall good feeling. The next major shift comes when Cyrano enters and, after riding himself of Montfleury, puts on the spectacle wherein he demonstrates not only his impeccable verbal dexterity, but also his fencing abilities - and both at the same time. This whole scene causes a strong reaction from the audience, and in turn, the re... ...ls of the romantic revolution, the nobility of spirit and individuality must be preserved, and intellect, whether you had it or not, was part of this, because part of being individual was coming up with some of your own ideas, possessing uniqueness of thought. Once again, this evokes a certain emotional response from the person who interprets this pseudo intellectualism, and the feeling the reader has about it is an integral part in the establishment of an identity with the characters. In conclusion, it has been shown that the primary vehicle for the expression of an authors ideas and concepts about a character is the emotional response which is depicted by the characters actions. In romantic works, because of the importance that emotion played in the romantic revolution, the appeal to emotions is the distinct and definitive factor of a good romantic play.   

Exploring the Transformation of Alvar Nunez Cabeza de Vaca in The Narra

In "The Narrative of Cabeza de Vaca", Alvar Nunez Cabeza de Vaca’s fight for survival, while being deprived of the basic necessities of life, proves there is a change in him from the beginning of the narrative to the end. This transformation, though, affected multiple aspects of de Vaca, including his motives, character, and perspective of civilization. Cabeza de Vaca’s experience is crucial to the history of America, as well as Spain, because it was one of the first accounts that revealed a certain equilibrium between the mighty and superior Spaniard and the Indian, once the Spaniard was stripped of his noble stature. The idea of nakedness is consistent throughout the narrative and conveys the tribulations he experienced and a sort of balance between him and the Indians. The original intentions of conquering and populating the area between Florida and a northern part of Mexico quickly shifted Cabeza de Vaca’s focus to the need to survive. His encounter with diff erent Indian tribes and ability to get along with them (no matter what the means), and then prosper as a medicine man, shows that through his beliefs in Christian faith, and in himself, he turned the failure into an unexpected success. The nature of the Narvaez expedition was intended to be like that of any other Spanish exploration to the New World. Panfilo de Narvaez, who was selected as governor of Florida and who financed the expedition, was also appointed the commander in chief by emperor Charles V. Cabeza de Vaca was appointed royal treasurer of the voyage for his brightness and noble character. The Spaniards were to conquer the land of Florida in the name of the Charles V and the nation of Spain. They expected to take on and overcome any natives who got in their way and to reap all of the wealth and materials of worth that they came across. When the ships arrived at the western coastline of Florida, they were greeted with a storm. This was just a sign of things to come for the fleet. The storm forced the ships to land at a different bay than what they planned on. From this point the governor wanted to move inland and explore the terrain. Meanwhile he also wanted the ships to sail along the coast until they r eached the correct bay. This commenced the downfall of the conquest. Cabeza de Vaca, as well as the commissary and other elites on the expedition, tried to persuade the governor that ... ...survival. Cabeza de Vaca cannot thank God enough for carrying him through the terrible times that he and the few remaining Spaniards went through as captives of the Indians. He feels a sort of accomplishment for making it through and comes out with a better appreciation for life. After experiencing what it was like to have been an Indian and a slave, and after being on the verge of death several times, the fact that Cabeza de Vaca was able to keep his composure and take each day at a time is astonishing. Of course, like a worthy Christian, Cabeza de Vaca gives God all of the credit in the world for his survival and success. However, it is Cabeza de Vaca’s faith in himself and determination that allow him to survive and go through the changes that he makes. It is almost a riches to rags, and back to riches story. However, the riches at the outcome of the expedition are far different from the riches going in. These new riches are not measured in gold or land, but in the appr eciation for human life and the struggle for survival which made a better man out of him. Work Cited Alvar Nunez Cabeza De Vaca. "The Narrative of Cabeza de Vaca" University of Nebraska Press, 2003.

Choosing Between Low-Fat and Low-Carb Diets Essay -- Energy and Intake

Kay’s compromise is setting her up for troubles. She is doing the acceptable thing by researching the issue however she has missed some finer points. While fats at 9 calories per gram do in fact yield more calories per gram than carbohydrates which are 4 calories per gram and as such do indeed have a greater potential for energy use she is misguided in her thinking and taking an approach where she drops her carbohydrates low and takes in high fat in her diet is perverting the facts. A diet of the energy-dense fats will not be better for her in this event. She needs to trust and listen to her coach and their recommendation for her to see a sports nutrition professional. It will take following a properly guided meal plan for her to be competitive in this event and remain healthy. As Fink points out, Carbohydrates, in the form of glucose, are the main source of fuel for all physical activity. Fats on the other hand are primarily used as a fuel source while resting and when performing moderately to low intensity exercises. (Fink, 2012, p.3) It’s these facts that are so significant. The event she participates in will be fairly short yet very intense with that in mind as an 800-meter track athlete the Carbohydrates are going to serve her the best. She will require immediate as well as a short sustained use of energy for her event. While she will be using both energy systems Fink states she will mainly be using anaerobic energy system which â€Å"is a major contributor to intense activities that last from 1 to 3 minutes.† (Fink, 2012, p. 50) Undoubtedly Kay must be experiencing some undesired results during her races which she wants to correct. She is managing to do the correct thing by seeking nutrition as the answer. She is cur... ...etermine which adjustments actually need to be made. If Kay is currently truly following a well planned high carbohydrate diet then her issue will be her training. Works Cited AERENHOUTS, D., DERIEMAEKER, P., HEBBELINCK, M., & CLARYS, P. (2011). Energy and macronutrient intake in adolescent sprint athletes: A follow-up study. Journal Of Sports Sciences, 29(1), 73-82. Fink, Heather Hedrick., Alan E. Mikesky, and Lisa A. Burgoon. (2012). Practical Applications in Sports Nutrition,3rd edition. Sudbury, MA: Jones & Bartlett Learning. Hunt, J. (2011). We Can Raise American Distance Runners To Gold Medal Levels. Track Coach, (196), 6239-6247. Rosenkranz, R. R., Cook, C. M., & Haub, M. D. (2007). Endurance Training on Low-Carbohydrate and Grain-Based Diets: A Case Study. International Journal Of Sport Nutrition & Exercise Metabolism, 17(3), 296-309

Food Lion-Case Analysis Essay

Food Lion LLC is an American grocery store company headquartered in Salisbury, NC, that operates approximately 1,300 supermarkets in 11 Mid-Atlantic and South Atlantic states as well as Tennessee, Kentucky and West Virginia under the Food Lion, Harvey’s Supermarket, Bloom, Bottom Dollar Food, and Reid’s banners. With approximately 73,000 employees, Food Lion LLC is the largest subsidiary of Delhaize Group. Delhaize Group is a food retailer headquartered in Belgium, which operates in seven countries. Delhaize Group was founded in Belgium in 1867. The principal activity of Delhaize Group is the operation of food supermarkets in North America, Europe and Southeast Asia. Supermarket News ranked Delhaize America No. 10 in the 2007 â€Å"Top 75 North American Food Retailers† based on 2006 fiscal year estimated sales of $17.3 billion. By cutting its overhead dramatically, Food Lion has been able to offer â€Å"everyday low prices† to consumers and still manage to reap some of the highest profits in the supermarket industry. Faced with a struggling economy and increased competition in the form of supercenter outlets, Food Lion has responded with some store closures and work force reductions, but has also sought to revitalize the grocery shopping experience through the introduction of a store concept called Bloom, intended to provide a uniquely convenient layout and competitive prices. Key Dates in the companies History 1957-Food Town is established in Salisbury, North Carolina. 1974:Belgian grocer Delhaize acquires Food Town. 1982:Company changes its name to Food Lion. 1986:Tom Smith, who started at the company in the 1950s as a grocery bagger, becomes CEO of Food Lion. 1999:A new management team seeks to revitalize Food Lion. 2001:Food Lion becomes part of Delhaize’s umbrella company for its American holdings. Case Analysis The faced many challenges such as information technology (IT) in the managing financial records recently, with system audits and continuous failures. They broken many rules within the Sarabanes oxley act. The sarabanes Act which is also known as the ‘Public Company Accounting Reform and Investor Protection Act’ (in the Senate) and ‘Corporate and Auditing Accountability and Responsibility Act’ (in the House) and more commonly called Sarbanes–Oxley, Sarbox or SOX, is a Unites States federal Law that set new or enhanced standards for all U.S. Public company boards i.e. food lion, management and public accounting firms. The problems latter proved to be linked to inadequate timing in planning activates, and inconsistent level changes with corporate management. Outside of the above Food Lion faces many staying afloat in the technological advanced completion such as Wal-Mart. Struggling against many influcuations in the prices and bundling package deals. Food lions attempts to offers things that others don’t to set their standards apart with a recipe area and automated shopping list that can be sent to local providing retailers. Additionally, food lion offers retailers many different purchase options with the MVP card, which also, allows them; maintain records of the customers shopping habits and budget. Creating coupons suit the needs of certain individual shoppers has revolutionized the food retail industry. These marketing strategies are not original but nonetheless quintessential for their success. One of the most innovative situations that food-lion is the vendor diversity clause which is n ot only an anti-discrimination minorities but offers specials contracts with minorities. Additionally, joining forces with exterior company guiding star, which a rating corporation for the products, services, and treatment proved by and for Food Lion. Along with Animal welfare survey and verification with produce and poultry products. They are known for deals and bonuses in the food industry. Food lion is known for sales and promotions, which as allegedly breaking the competition down to the lower deals to even remain marketable. Providing weekly sales on curtains products for a limited time only. Furthermore, offering Shoppers’ Companion online, which is where shoppers can offers suggestions and comments and concerns, i.e. management tips and unsanitary employees. The new and improved MVP card issuing not only saving, but also saving star credits which generates real money on rebate and giveaway options. The MVP card also, has Tally register where the online system keeps account on how much you have saved with the card printable coupons from home. The company will re-open over 269 stores which all are going to include free grocery giveaways. Also, large charity donations and contributions to groups such as: boy and girl scouts of America, YMCA, Feed the children, Harvest Hope, and large donations of free food to may shelters and orphanages much of the public views the company as not just a supermarket but a savior. Currently the company has plans of expanding thought the central, and western regions of the United States, but first wish to stabilize their current stations and locations. Some recent news and talks of merging with some of the completion on the level Conclusion I conclude that even though the margin for change increasing along with customer demand shifting, Food Lion has done a great job to cope with inconsistent data recorded and observed. By offering more customer demand based products instead of consumer retail they has improved on revenue. They has stood by their actions scandalous and praiseworthy, from branch closing and violating of SOX act codes to donated billions and saving many small third world countries to hunger. Moreover, their strategy is a good one lower the prices give them fresher produce and improve the overall shopping experience, and they certainly have lived up to their promises and expectations. Many of these issues have been fixed by great change in management process for hardware, software database, and application groups. The company received a dully-awaited makeover in the past few years, which will surly; sustain them for decades to come. Food Lion has many pitfalls such as competitors, and technology, however o verall with studious work ethics they will prevail and maintain.

Concept Essay on Love Essay

Love is a complex emotion of attachment and obsession. Love cannot be classified so easily, though; it cannot be stuffed into a social concept and left there. Love has many different meanings to many different people; it can be tossed aside like a dirty rag, unimportant and forgotten, or cherished and cared for like a priceless gemstone. To me, love is a connection between the hearts and minds of two people. It is a feeling of trust and wholeness; a feeling that in the other person’s eyes, you can do no wrong. To explain the process of â€Å"falling in love,† I will use a hypothetical couple and analyze their relationship as it progresses. It begins with a spark. Two people meet and they make a connection which at this stage will be considered friendship. This connection may mature and expand through common interests such as admiring the same music or desiring the same expensive car. As time passes and these two people get to know each other, they begin to embrace each other for who they are inside, accepting each other’s flaws and overcoming obstacles together. The trust that these actions foster will be the couple’s Big Bang. The two friends, dazzled by the magnificence emanating from each other’s heart, will decide to take their relationship further; they will become best friends. When the future couple has reached the best friend stage one of the two may seek to engender his or her affection. This person will begin to make the burning, blinding love they are experiencing known; how the recipient reacts will determine the fate of this relationship. If there is true chemistry between these two, they will throw off the title of best friends and don the silk robe of romantic partners. At this point in the relationship, love, which has been smoldering inside each person like white-hot coal, becomes a true inferno; a firestorm for which there is no comparison. The couple is filled with blazing passion for each other and blind to all else. Our couple is in what is generally acknowledged as the â€Å"honeymoon† stage; they consider each other perfect in every way and believe that they will be happy forever. This is arguably the sweetest and purest part of the dating process; there are no fights, no lies, just love. This fiery maelstrom of ecstasy and excitement does not last long, unfortunately, and this happy couple will soon enter the â€Å"comfortable† stage. The â€Å"comfortable† stage is the tipping point, the point where the nebula of the relationship can be doomed for disaster or destined for a bright future. If the couple chooses to use this time to work on their relationship then the love they both enjoyed in the honeymoon stage may continue to burn, radiant in its beauty and purity. But, if the relationship is left by the wayside and problems are ignored or not resolved, the once-incandescent orb of devotion and fervor will begin to flicker, like a candle that has reached the end of its wick, foreshadowing the catastrophe of a break up. A dying relationship is akin to a dying star. What once hung bright and brilliant in the sky and lit up the night through a thousand pinpricks of light now sags, burnt-out and spent in the daytime and leaves this couple in the cold and dark at night. These two lovers now realize that they were never meant to be together, and that it was foolish of them to allow themselves to be blinded by love. After more arguments, lies, and perhaps a bit of cheating, the already-spent star will sputter and go dark. The relationship that the couple thought would last forever has finally ended. Love requires constant upkeep. All the movies and books that exemplify â€Å"easy† relationships where everything simply falls into place and the two lovers never have to deal with any strife are lies. Love is not easy. Love is not simple. Love is hard. Love is complicated, but love is also rewarding. If handled correctly and expertly, love can last an extremely long time. This can be seen in the elder couples that can claim to have been together for sixty plus years. These couples were able to overcome their differences and have been rewarded in each other. Their love still burns with the intensity and passion of those who have just found this wonderful anomaly of affection. These veteran couples have found one of the absolute truths in life: that we are incomplete. Our hearts, our stars, are built to require another. When and if that missing half is found, one may consider life to be at its best and resplendent in its wholeness; the missing piece of our soul has been found.